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<channel>
	<title>Dani Reynolds</title>
	<link>https://danireynolds.com.au</link>
	<description>Dani Reynolds</description>
	<pubDate>Tue, 07 Apr 2026 00:56:11 +0000</pubDate>
	<generator>https://danireynolds.com.au</generator>
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	<item>
		<title>Fluff Dry</title>
				
		<link>https://danireynolds.com.au/Fluff-Dry</link>

		<pubDate>Tue, 07 Apr 2026 00:56:11 +0000</pubDate>

		<dc:creator>Dani Reynolds</dc:creator>

		<guid isPermaLink="true">https://danireynolds.com.au/Fluff-Dry</guid>

		<description>&#60;img width="6240" height="4160" width_o="6240" height_o="4160" data-src="https://freight.cargo.site/t/original/i/12d55003c1e0d1b6103b5e683dafeffd0602aab052ca5545d2c39ba76f5f4797/Fluffdry-32.jpg" data-mid="246902861" border="0"  src="https://freight.cargo.site/w/1000/i/12d55003c1e0d1b6103b5e683dafeffd0602aab052ca5545d2c39ba76f5f4797/Fluffdry-32.jpg" /&#62;&#60;img width="5098" height="3398" width_o="5098" height_o="3398" data-src="https://freight.cargo.site/t/original/i/b930a006cc8d017e2fc00fee8af81351e6d876b5d324067428a1aff625123bf9/Fluffdry-2.jpg" data-mid="246910072" border="0"  src="https://freight.cargo.site/w/1000/i/b930a006cc8d017e2fc00fee8af81351e6d876b5d324067428a1aff625123bf9/Fluffdry-2.jpg" /&#62;

&#60;img width="3214" height="4821" width_o="3214" height_o="4821" data-src="https://freight.cargo.site/t/original/i/bc4ccddae65fc431f26f6208ab411c081ffdbcd7e255863a5f8cb880199ab3e8/Fluffdry-24.jpg" data-mid="246902865" border="0"  src="https://freight.cargo.site/w/1000/i/bc4ccddae65fc431f26f6208ab411c081ffdbcd7e255863a5f8cb880199ab3e8/Fluffdry-24.jpg" /&#62;
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&#60;img width="3053" height="4580" width_o="3053" height_o="4580" data-src="https://freight.cargo.site/t/original/i/11f6ece468f223e6a98038b1fec64bc7309b54c3b32d5b9c4c2012b129e80989/Fluffdry-23.jpg" data-mid="246910076" border="0"  src="https://freight.cargo.site/w/1000/i/11f6ece468f223e6a98038b1fec64bc7309b54c3b32d5b9c4c2012b129e80989/Fluffdry-23.jpg" /&#62;
&#60;img width="3836" height="5754" width_o="3836" height_o="5754" data-src="https://freight.cargo.site/t/original/i/816ae9e956f88fed412cb6df9b394c794df343e5c1c5b0f47eb1ef6ca919ef05/Fluffdry-25.jpg" data-mid="246910079" border="0"  src="https://freight.cargo.site/w/1000/i/816ae9e956f88fed412cb6df9b394c794df343e5c1c5b0f47eb1ef6ca919ef05/Fluffdry-25.jpg" /&#62;
&#60;img width="4544" height="3029" width_o="4544" height_o="3029" data-src="https://freight.cargo.site/t/original/i/c36f67048391ab4e456a06b7cbcf0327d2b5458196bd38fbe0e4382a318c7696/Fluffdry-13.jpg" data-mid="246910077" border="0"  src="https://freight.cargo.site/w/1000/i/c36f67048391ab4e456a06b7cbcf0327d2b5458196bd38fbe0e4382a318c7696/Fluffdry-13.jpg" /&#62;&#60;img width="5568" height="3712" width_o="5568" height_o="3712" data-src="https://freight.cargo.site/t/original/i/deccd8dea03797aa94f1f666fe053618dbb519da368fa04eb95b9a27a426b7ab/Fluffdry-16.jpg" data-mid="246910078" border="0"  src="https://freight.cargo.site/w/1000/i/deccd8dea03797aa94f1f666fe053618dbb519da368fa04eb95b9a27a426b7ab/Fluffdry-16.jpg" /&#62;&#60;img width="3507" height="5261" width_o="3507" height_o="5261" data-src="https://freight.cargo.site/t/original/i/597078b9247720c972b5733b45f83ade335b4280303990da358c171202cd022c/Fluffdry-12.jpg" data-mid="246910073" border="0"  src="https://freight.cargo.site/w/1000/i/597078b9247720c972b5733b45f83ade335b4280303990da358c171202cd022c/Fluffdry-12.jpg" /&#62;Link here to video of performance&#38;nbsp;An off-site project by In extensoLieu-Dit, 10 rue Fontgiève 63000 Clermont-Ferrand
22 March — 05 April 2025Opening Saturday, 22 March 2025, 6pm—9pm
Text by Katia Porro[Aerial shot] Three cars—pink, green and blue—slide into the curve, their plastic wheels slicing through the wet asphalt in a choreographed hesitation, spinning out in an almost perfectly mastered hydroplaning—a near-failure, a half-rehearsal, a moment stretched thin between grip and release. [Close-up] A dog. Submissive bystander? Active participant? Either way, its fur ripples in the wind as it watches, tracking the movements as if attempting to make sense of the absurd ballet unfolding before it. The Michelin wet handling ring, reserved for full size machines and big money, now plays host to this surreal choreography of children’s cars, their presence both ridiculous and oddly graceful. It is an arena of absurd repetition, of skidding and correction, of something like control but not quite. A car wavers, corrects, wavers again. The dance continues, unlearning mastery in pursuit of something closer to instinct. Here, the machines flirt with uncertainty, tracing loops of defiance—somewhere between play and precision, between a game and something unknowingly serious.But this is only what would have taken place—what might have unfolded in a video dreamt up by artist Dani Reynolds, had Michelin agreed to let us film on their wet handling track. Instead, these cars—once motorized toy cars for children—have been reimagined, altered. No longer bound to a linear trajectory of forward and backward, they now spin freely, set atop office chair wheels, their movement untethered, directionless, ecstatic. Their surfaces, given a glow up through layers of papier-mâché and silver gargoyle emblems, seem at once ornamental and defiant, relics of a mythology that never existed. And so they find themselves not skimming over a slick test track but instead staged in a space that once housed a flower shop and, before that, a hair salon—now evoking the setup of an ambiguous commercial space, yet never fully resolving into one. On the walls, two paintings on latex depict different images of dogs with varying hairstyles, reminiscent of the styling guides often found in the local salon. Michelin, hair salons, flowers, dogs—associations that at first seem absurd but instead reveal a braid of the city’s history and its shifting spaces and inhabitants, traced and unraveled by Dani Reynolds during their second residency in Clermont-Ferrand.1Over the course of three weeks, Dani Reynolds worked onsite, chipping away paint from previously hidden mirrors, applying gestures reminiscent of a hairstylist, florist, or dog groomer—trimming back the space’s invisible hair to revive it, revealing and framing its charming imperfections. Disparate elements, plucked from their typical contexts, are now presented in a dizzying yet humorous arrangement (think bouquet), or score. The choreographic and performative aspects of these professions are reflected in Dani’s practice, where they orchestrate moments that simultaneously engage with the sincerity of failure while recalling the looping nature of uneasiness and obsession, like the doom scroll.This looping nature appears in the TikTok-esque video playing on repeat from an iPhone stuck onto a mirror via an influencer must-have suction pad. Reminiscent of Canine Choreography—a performance Dani produced in which the artist danced with four-legged creatures—the video presented here questions the nature of the companion species. Rather than a choreography between human and dog, the choreography here unfolds between human and a 360-spinning, papier-mâché-covered, automatic toy car mounted atop office chair wheels. This video reflects the idea of thrown projections2—both through the act of performance itself and through the mediated lens of social media. A thrown projection is, after all, a construct that enacts the same principle twice over—the projection of a projection, or the thrownness of something already thrown—and in this way, both domesticated companions and social media platforms serve as reflections of this recursive logic, absorbing and refracting human desires, anxieties, and performances back at us.The serious expression, the dryness of the performers’3 stare, brings us, finally, to the title: Fluff Dry. Borrowed from the dog grooming term describing the process of using a dryer to blow air into a dog’s coat while simultaneously fluffing the hair to create volume and fullness, the exhibition mirrors this act—offering a full and voluminous vision into the practice of an artist who has been the holder of the Guinness World Record for creating the world’s widest wig4, an amateur dog trainer, and a miniature enthusiast.Notes:1 – Dani Reynolds previously participated in the 100 day residency proposed by Artistes en résidece in 2022-20232 – &#38;nbsp;See Sianne Ngai, Ugly Feelings, Harvard University Press, 2005, p. 220.3 – Faustine Beton, Camille Cheyre, Charly Delpuech4 – &#38;nbsp;World’s Widest Wig Work, 202
Fluff Dry was supported by In Extenso, Artistes en Residence and Ian Potter Cultural Trust through their Emerging Artist Grants Program, and was developed during residencies at Le Lieu-Dit and Homesession. Photos: Marjolaine Turpin. Performances by Faustine Beton, Camille Cheyre, Charly Delpuech.</description>
		
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	<item>
		<title>World's Widest Wig Work</title>
				
		<link>https://danireynolds.com.au/World-s-Widest-Wig-Work</link>

		<pubDate>Mon, 05 Feb 2024 11:07:32 +0000</pubDate>

		<dc:creator>Dani Reynolds</dc:creator>

		<guid isPermaLink="true">https://danireynolds.com.au/World-s-Widest-Wig-Work</guid>

		<description>
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&#60;img width="2000" height="1414" width_o="2000" height_o="1414" data-src="https://freight.cargo.site/t/original/i/c93e2f079de789661e421cc9f17c39b95688455a063185b8e12d2b0c66a96e09/3-Dani-Reynolds-World-s-Widest-Wig-Work-Guinness-World-Records-Book.jpg" data-mid="203883986" border="0"  src="https://freight.cargo.site/w/1000/i/c93e2f079de789661e421cc9f17c39b95688455a063185b8e12d2b0c66a96e09/3-Dani-Reynolds-World-s-Widest-Wig-Work-Guinness-World-Records-Book.jpg" /&#62;

World's Widest Wig Work was assisted by the South Australian Government through Arts South Australia, the Australian Government through the Australia Council for the Arts, its arts funding and advisory body, and Adelaide Contemporary Experimental.Wig: Dani Reynolds &#38;amp; Meg WilsonDramaturg: Lara ThomsPerformers: Olivia Bellow, Jingwei Bu &#38;amp; Emmaline ZanelliVideographer: Thomas SmeetsPhotographer: Thomas McCammonSpecial Guests/Witnesses: Mat, Holly, Brianna, Damian &#38;amp; Nathan.Pulley: Brad LayInstallation documentation: Sam Roberts</description>
		
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	<item>
		<title>Trade-off </title>
				
		<link>https://danireynolds.com.au/Trade-off</link>

		<pubDate>Mon, 05 Feb 2024 11:16:27 +0000</pubDate>

		<dc:creator>Dani Reynolds</dc:creator>

		<guid isPermaLink="true">https://danireynolds.com.au/Trade-off</guid>

		<description>&#60;img width="1600" height="1066" width_o="1600" height_o="1066" data-src="https://freight.cargo.site/t/original/i/9f5b7f6f0afee84940275916476d411baee952de8da88162eab91fe72cb95bf8/20220409_KINGS_TRADEOFF_JUNE2022-9-1_1600_c.jpg" data-mid="203881744" border="0"  src="https://freight.cargo.site/w/1000/i/9f5b7f6f0afee84940275916476d411baee952de8da88162eab91fe72cb95bf8/20220409_KINGS_TRADEOFF_JUNE2022-9-1_1600_c.jpg" /&#62;&#60;img width="1600" height="1066" width_o="1600" height_o="1066" data-src="https://freight.cargo.site/t/original/i/d2522c1134fc619934f279a60488f51f419d81dd0f4c8892d0bc2cc756515883/20220409_KINGS_TRADEOFF_JUNE2022-5_1600_c.jpg" data-mid="203881746" border="0"  src="https://freight.cargo.site/w/1000/i/d2522c1134fc619934f279a60488f51f419d81dd0f4c8892d0bc2cc756515883/20220409_KINGS_TRADEOFF_JUNE2022-5_1600_c.jpg" /&#62;&#60;img width="1600" height="1068" width_o="1600" height_o="1068" data-src="https://freight.cargo.site/t/original/i/f3b258cf628f0fe329b51299dd2904fd5d95bf2dd699fc8486f5576f942ce8ec/Dani-Reynolds_KINGS_LowRes_9_1600_c.jpg" data-mid="203881747" border="0"  src="https://freight.cargo.site/w/1000/i/f3b258cf628f0fe329b51299dd2904fd5d95bf2dd699fc8486f5576f942ce8ec/Dani-Reynolds_KINGS_LowRes_9_1600_c.jpg" /&#62;&#60;img width="1600" height="1068" width_o="1600" height_o="1068" data-src="https://freight.cargo.site/t/original/i/8c433b0b32cac76c70dcb30129c6cbe81f83a6bb0699f7ffc131ad9575216f4b/Dani-Reynolds_KINGS_LowRes_7_1600_c.jpg" data-mid="203881748" border="0"  src="https://freight.cargo.site/w/1000/i/8c433b0b32cac76c70dcb30129c6cbe81f83a6bb0699f7ffc131ad9575216f4b/Dani-Reynolds_KINGS_LowRes_7_1600_c.jpg" /&#62;&#60;img width="1600" height="1068" width_o="1600" height_o="1068" data-src="https://freight.cargo.site/t/original/i/b332bc8570bb79d2e9df544e114e0825f7fe155608767fb2a013be6f649324e9/Dani-Reynolds_KINGS_LowRes_6_1600_c.jpg" data-mid="203881749" border="0"  src="https://freight.cargo.site/w/1000/i/b332bc8570bb79d2e9df544e114e0825f7fe155608767fb2a013be6f649324e9/Dani-Reynolds_KINGS_LowRes_6_1600_c.jpg" /&#62;&#60;img width="1600" height="1068" width_o="1600" height_o="1068" data-src="https://freight.cargo.site/t/original/i/43e4651ddf8bdf25bdf471813658df896ca7de3f166f83430f48f9394a21b66e/Dani-Reynolds_KINGS_LowRes_5_1600_c.jpg" data-mid="203881750" border="0"  src="https://freight.cargo.site/w/1000/i/43e4651ddf8bdf25bdf471813658df896ca7de3f166f83430f48f9394a21b66e/Dani-Reynolds_KINGS_LowRes_5_1600_c.jpg" /&#62;&#60;img width="1600" height="1068" width_o="1600" height_o="1068" data-src="https://freight.cargo.site/t/original/i/77b30bf015a09c16c09a13416334d017a2759a22e9e9c2b94257152d3fac2e7e/Dani-Reynolds_KINGS_LowRes_3_1600_c.jpg" data-mid="203881751" border="0"  src="https://freight.cargo.site/w/1000/i/77b30bf015a09c16c09a13416334d017a2759a22e9e9c2b94257152d3fac2e7e/Dani-Reynolds_KINGS_LowRes_3_1600_c.jpg" /&#62;&#60;img width="1600" height="1068" width_o="1600" height_o="1068" data-src="https://freight.cargo.site/t/original/i/ad3f1e3f67647077c4630010a98bce11d90fa9321791b78769c9c392b9205728/Dani-Reynolds_KINGS_LowRes_2_1600_c.jpg" data-mid="203881753" border="0"  src="https://freight.cargo.site/w/1000/i/ad3f1e3f67647077c4630010a98bce11d90fa9321791b78769c9c392b9205728/Dani-Reynolds_KINGS_LowRes_2_1600_c.jpg" /&#62;&#60;img width="1600" height="1068" width_o="1600" height_o="1068" data-src="https://freight.cargo.site/t/original/i/e275370e6ffeeb955b909a52499a78889bbb52307ac8c9c91ad045a3589f7af7/Dani-Reynolds_KINGS_HighRes_8_1600_c.jpg" data-mid="203881754" border="0"  src="https://freight.cargo.site/w/1000/i/e275370e6ffeeb955b909a52499a78889bbb52307ac8c9c91ad045a3589f7af7/Dani-Reynolds_KINGS_HighRes_8_1600_c.jpg" /&#62;&#60;img width="1600" height="1068" width_o="1600" height_o="1068" data-src="https://freight.cargo.site/t/original/i/8215f6a35e432da8694e49359f6654aa55403f8298797844f7daf266cb2e0589/Dani-Reynolds_KINGS_LowRes_4_1600_c.jpg" data-mid="203881755" border="0"  src="https://freight.cargo.site/w/1000/i/8215f6a35e432da8694e49359f6654aa55403f8298797844f7daf266cb2e0589/Dani-Reynolds_KINGS_LowRes_4_1600_c.jpg" /&#62;
Trade-offExhibited at KINGS ARI Melbourne (2022)
FELTspace Adelaide (2022)&#38;nbsp;
Watch This Space Alice Springs (2021)

A ‘trade-off’ is a process of balancing two desirable but opposing forces. It is an acknowledgement and agreement to both loss and gain.

There are three collaborative processes presented in Trade-Off: a suite of sculptures, a diptych of paintings and a textual response.

The sculptures are the repurposing of a collection of trophies that were donated by Dani’s partner, Thomas McCammon, a childhood tennis champion. Through an accumulative process of hand moulding paper clay, stickering and bejewelling, these trophies are transformed into amorphous forms.

The paintings presented have been developed in collaboration with Tom’s mum, Darrel West. For one-year Dani and Darrel worked together to produce a series of paintings that merge their two distinctive styles, from which these two works were selected. These paintings are a layering of familial responsibility and affinities, of agency and desire, becoming the nexus for a new intimacy to emerge, but an intimacy suffused by the risk of working together. 

The final element of Trade-off is a text written by Tom. Tom writes: ‘a nut of space, clears its throat for a new situation.’ The opacity of this poetic text blurs the distinction between the exhibited objects and Tom and Dani’s relationship. This ‘nut of space’ is a precious, textured intimacy that unfolds in front of us.Images: Aaron Claringbold and Thomas McCammon</description>
		
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	<item>
		<title>Des baguettes et des boucles </title>
				
		<link>https://danireynolds.com.au/Des-baguettes-et-des-boucles</link>

		<pubDate>Mon, 05 Feb 2024 11:58:11 +0000</pubDate>

		<dc:creator>Dani Reynolds</dc:creator>

		<guid isPermaLink="true">https://danireynolds.com.au/Des-baguettes-et-des-boucles</guid>

		<description>
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	&#60;img width="5038" height="3358" width_o="5038" height_o="3358" data-src="https://freight.cargo.site/t/original/i/db49ddd481d19fbc0cf3c09fbedc98a6fe76b40f2b896d41acc30f1a71c7c156/dani-sommetoute-3.jpg" data-mid="203883809" border="0"  src="https://freight.cargo.site/w/1000/i/db49ddd481d19fbc0cf3c09fbedc98a6fe76b40f2b896d41acc30f1a71c7c156/dani-sommetoute-3.jpg" /&#62;
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</description>
		
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	<item>
		<title>In some delicate oblique way</title>
				
		<link>https://danireynolds.com.au/In-some-delicate-oblique-way</link>

		<pubDate>Mon, 05 Feb 2024 12:23:19 +0000</pubDate>

		<dc:creator>Dani Reynolds</dc:creator>

		<guid isPermaLink="true">https://danireynolds.com.au/In-some-delicate-oblique-way</guid>

		<description>&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;
&#60;img width="6558" height="4372" width_o="6558" height_o="4372" data-src="https://freight.cargo.site/t/original/i/f1780fb3f913b4d39f58fa2a2068288802f774e396e8a4e45b27fe9f4fa5fcb7/0H1A8955-1.jpg" data-mid="203885084" border="0"  src="https://freight.cargo.site/w/1000/i/f1780fb3f913b4d39f58fa2a2068288802f774e396e8a4e45b27fe9f4fa5fcb7/0H1A8955-1.jpg" /&#62;&#38;nbsp;
	In some delicate oblique way&#38;nbsp;

Exhibited at Post Office Projects, Adelaide (2023)

Dani Reynolds’ practice is a Sisyphean one. One that “operates according to a cycle of failure and repetition, of non-attainment and replay; [one that] is a punctuated performance. A rule is drawn. An action is required. An attempt is made. Over and over, again and again.” [1] 

Here, the rule drawn was twofold: make a painting; replicate a garden statue. The actions as well: paint; mould. Attempts were multiple, failed, and repeated— over and over, again and again. Yet, rather than considering this setting oneself up for failure as a pity party, Dani invites us to imagine failure as a way of refuting dominant goal oriented ideology. How? Through a choreographing of ambivalence. The space is thus a partition of said ambivalence, and the repeated gestures, a series of rehearsals, as we’re thrown for a Sisyphean loop. 

There’s something lingering, hesitating in Dani’s work, a kind of drawn out gesticulation before an eventual final act. Like a metabolic process. The artist’s obsession for a handmade Pekingese dog lawn statue in their neighbourhood led to a deal with a garden manager for a temporary loan of the masterpiece— a catalyst for the artist to learn moulding techniques formerly foreign to them. The replication and repetition reveal themselves then both as attempts at attaining the imperfect handmade mini-monument, and as ways of avoiding any fixed, dictated notion of what it is. This monumental ambivalence sneaks its way into Dani’s large-scale paintings as well. Hanging from up-right metal structures, the canvases are not only extracted from a canonical history of painting, but also transformed into bearers of other images. Small photographs of objects and situations— they, too, ambivalent— encrust themselves on the backs of the paintings, doubling their nature.Although adorned with an unclear status, the paintings are not to be considered as failures, but rather as supports of ambivalence that document that very feeling: their surfaces bare traces of figuration that disappear behind successive layers of unsureness. “Something scratched out or scribbled over = willful act of erasure, anger, negation, disgust, hate; embarrassment, shame, or a wish to make invisible or to obliterate,” wrote Amy Sillman. [2] The scribbling here may be a willful act of erasure, but rather than solely being understood as done in negation, it reveals the ambivalence necessary to navigating an incoherent world, and the beauty of existing in multiple ways. [3] Dani Reynolds’ Sisyphean choreography can thus be read as a way of flirting with bathos— or comically failed attempts at presenting artistic greatness— in some delicate oblique way.– Katia PorroKatia Porro is a curator, writer and translator. She is currently the director of In extenso (Clermont Ferrand, France) and the magazine La Belle 
[1] Emma Cocker, “Over and Over, Again and Again,” in Documents of Contemporary Art: Failure, ed. Lisa Le Feuvre, London, 
Whitechapel, 2010, p. 154. [2] Amy Sillman, Faux Pas: Selected Writings and Drawings, Paris, After 8 books, 2022, p.113. [3] Lauren Berlant, Cruel Optimism, Durham, Duke University Press, 2011.
 


</description>
		
	</item>
		
		
	<item>
		<title>Canine Choreography </title>
				
		<link>https://danireynolds.com.au/Canine-Choreography</link>

		<pubDate>Mon, 05 Feb 2024 11:26:08 +0000</pubDate>

		<dc:creator>Dani Reynolds</dc:creator>

		<guid isPermaLink="true">https://danireynolds.com.au/Canine-Choreography</guid>

		<description>
&#60;img width="1250" height="833" width_o="1250" height_o="833" data-src="https://freight.cargo.site/t/original/i/5bd3cc997369da92b0b186c39b9f0d01532673ccdc5af95655c14b9d4791572b/_MG_9608_1250.jpg" data-mid="203881925" border="0"  src="https://freight.cargo.site/w/1000/i/5bd3cc997369da92b0b186c39b9f0d01532673ccdc5af95655c14b9d4791572b/_MG_9608_1250.jpg" /&#62;
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&#60;img width="1250" height="833" width_o="1250" height_o="833" data-src="https://freight.cargo.site/t/original/i/3b74c0a11601a3ec163122a1257e303cfe7aa764ae4cf9af92edd079312ee8d8/_MG_9646_1250.jpg" data-mid="203881866" border="0"  src="https://freight.cargo.site/w/1000/i/3b74c0a11601a3ec163122a1257e303cfe7aa764ae4cf9af92edd079312ee8d8/_MG_9646_1250.jpg" /&#62;&#60;img width="1250" height="833" width_o="1250" height_o="833" data-src="https://freight.cargo.site/t/original/i/ba55520594fef327a369e661697363b24b719162d810c37103dd535ad13fa1c3/_MG_9614_1250.jpg" data-mid="203881872" border="0"  src="https://freight.cargo.site/w/1000/i/ba55520594fef327a369e661697363b24b719162d810c37103dd535ad13fa1c3/_MG_9614_1250.jpg" /&#62;&#60;img width="1250" height="833" width_o="1250" height_o="833" data-src="https://freight.cargo.site/t/original/i/01993f6c7e1af7dd3928d85b54bb0048c39e7289d2789d50921ac5cc41830970/_MG_9621_1250.jpg" data-mid="203881871" border="0"  src="https://freight.cargo.site/w/1000/i/01993f6c7e1af7dd3928d85b54bb0048c39e7289d2789d50921ac5cc41830970/_MG_9621_1250.jpg" /&#62;
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&#60;img width="1600" height="1066" width_o="1600" height_o="1066" data-src="https://freight.cargo.site/t/original/i/006a987efb5f0384519c413c1111961e44c6bdf0a34a53f1c88a314f00d1e0b7/CanineChoreography_DayOne-1425_1600_c.jpg" data-mid="203881832" border="0"  src="https://freight.cargo.site/w/1000/i/006a987efb5f0384519c413c1111961e44c6bdf0a34a53f1c88a314f00d1e0b7/CanineChoreography_DayOne-1425_1600_c.jpg" /&#62;
&#60;img width="1600" height="1066" width_o="1600" height_o="1066" data-src="https://freight.cargo.site/t/original/i/378f2f9a8146a8942fd077a1e577a9877ef09294413b0951963f1a2ad1d6692b/CanineChoreography_DayOne-1372_1600_c.jpg" data-mid="203881833" border="0"  src="https://freight.cargo.site/w/1000/i/378f2f9a8146a8942fd077a1e577a9877ef09294413b0951963f1a2ad1d6692b/CanineChoreography_DayOne-1372_1600_c.jpg" /&#62;
&#60;img width="1600" height="1066" width_o="1600" height_o="1066" data-src="https://freight.cargo.site/t/original/i/37448d5949121c2a64582298ceca756011945b8b9f23bebade7ff5c97cb80c00/CanineChoreography_DayTwo-1913_1600_c.jpg" data-mid="203881834" border="0"  src="https://freight.cargo.site/w/1000/i/37448d5949121c2a64582298ceca756011945b8b9f23bebade7ff5c97cb80c00/CanineChoreography_DayTwo-1913_1600_c.jpg" /&#62;
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&#60;img width="1600" height="1066" width_o="1600" height_o="1066" data-src="https://freight.cargo.site/t/original/i/45419f6321f084efd359e870f98ccde2f0d241a6470b76d195fc5093bb730ce3/CanineChoreography_DayTwo-1693_1600_c.jpg" data-mid="203881837" border="0"  src="https://freight.cargo.site/w/1000/i/45419f6321f084efd359e870f98ccde2f0d241a6470b76d195fc5093bb730ce3/CanineChoreography_DayTwo-1693_1600_c.jpg" /&#62;
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Canine Choreography has been assisted by Testing Grounds, Collingwood Arts Precinct, Creative Victoria and the Australian Government through Australia Council, its arts funding and advisory body.Images: Kirsty Macafee and Rafferty Bailey</description>
		
	</item>
		
		
	<item>
		<title>Come What May </title>
				
		<link>https://danireynolds.com.au/Come-What-May</link>

		<pubDate>Mon, 05 Feb 2024 11:36:19 +0000</pubDate>

		<dc:creator>Dani Reynolds</dc:creator>

		<guid isPermaLink="true">https://danireynolds.com.au/Come-What-May</guid>

		<description>&#60;img width="1600" height="1068" width_o="1600" height_o="1068" data-src="https://freight.cargo.site/t/original/i/e1a99bfdfa4af46b18c9fc1650b6539745154969c60aceec71bfcc3fb346150b/Danni_7th-1_1600_c.jpg" data-mid="203882613" border="0"  src="https://freight.cargo.site/w/1000/i/e1a99bfdfa4af46b18c9fc1650b6539745154969c60aceec71bfcc3fb346150b/Danni_7th-1_1600_c.jpg" /&#62;
	&#60;img width="1068" height="1600" width_o="1068" height_o="1600" data-src="https://freight.cargo.site/t/original/i/5a14805a2605edcfdd648694681a30960c3f7f93e90c7002d7ded1c084b84490/Danni_7th-5_1068.jpg" data-mid="203882618" border="0"  src="https://freight.cargo.site/w/1000/i/5a14805a2605edcfdd648694681a30960c3f7f93e90c7002d7ded1c084b84490/Danni_7th-5_1068.jpg" /&#62;
	&#60;img width="1068" height="1600" width_o="1068" height_o="1600" data-src="https://freight.cargo.site/t/original/i/8737ff9a4c9eca53cf5b65938e485057db1ea77b254ad43abc0073be3eb8f70f/Danni_7th-3_1068.jpg" data-mid="203882616" border="0"  src="https://freight.cargo.site/w/1000/i/8737ff9a4c9eca53cf5b65938e485057db1ea77b254ad43abc0073be3eb8f70f/Danni_7th-3_1068.jpg" /&#62;
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Come What May 
Exhibited at Seventh Gallery (2017) with Mallory Allen&#38;nbsp;Images: Aaron Christopher ReesPainting: Doggo Chasing Waterfalls, (2017)</description>
		
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	<item>
		<title>Fair Exchange</title>
				
		<link>https://danireynolds.com.au/Fair-Exchange</link>

		<pubDate>Mon, 05 Feb 2024 11:17:52 +0000</pubDate>

		<dc:creator>Dani Reynolds</dc:creator>

		<guid isPermaLink="true">https://danireynolds.com.au/Fair-Exchange</guid>

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Floor Trader for Fair Exchange at NGV Art Book Fair (2019)Performing for Emile Zile and NoClients 

Images: Leonie Gores</description>
		
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		<title>Triple Threat</title>
				
		<link>https://danireynolds.com.au/Triple-Threat</link>

		<pubDate>Mon, 05 Feb 2024 10:57:38 +0000</pubDate>

		<dc:creator>Dani Reynolds</dc:creator>

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Triple Threat is an interactive kids karaoke performance workshop and past presentation has been 
assisted by the Abbotsford Convent Foundation.Image by Thomas Mccammon</description>
		
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		<title>On the Boulevard of Broken Dreams</title>
				
		<link>https://danireynolds.com.au/On-the-Boulevard-of-Broken-Dreams</link>

		<pubDate>Mon, 05 Feb 2024 11:39:56 +0000</pubDate>

		<dc:creator>Dani Reynolds</dc:creator>

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	&#60;img width="1600" height="2367" width_o="1600" height_o="2367" data-src="https://freight.cargo.site/t/original/i/f9effd2bcdf02a73197078bdb14a29f0cb25136c847fccabb8d970355a918696/Time33_1600_c.jpg" data-mid="203883336" border="0"  src="https://freight.cargo.site/w/1000/i/f9effd2bcdf02a73197078bdb14a29f0cb25136c847fccabb8d970355a918696/Time33_1600_c.jpg" /&#62;

Performance work as a part of A. Time-based Exhibition; curated by Arie Rain GlorieImages: Marina Lamari</description>
		
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